Miley Cyrus vs Sinead O’Connor Mashup Blocked Globally

Hours after uploading my new mashup video, which remixes Miley Cyrus’ ‘Wrecking Ball’ with Sinead O’Connor’s ‘Nothing Compares 2 U’, I discovered that it had been blocked globally on YouTube, as a result of a match thrown up by Google’s automatic third party copyrighted content-matching software. Both the music samples and video samples from Miley Cyrus’ ‘Wrecking Ball’ were flagged as being copyrighted by Sony Music Entertainment and so the video was blocked in every country in the world. I filed a dispute, citing reasons why the video falls under fair use, as below. Hopefully the block will be lifted so that people will be able to watch the video soon.

Explanation: My video, ‘Miley / O’Connor Mashup – Nothing Compares to a Wrecking Ball’, is a highly transformative remix video that offers a critical comment on a topical issue (i.e. Miley Cyrus’ negative publicity and Sinead O’Connor’s public condemnation of her behaviour). The remix video is intended to be educational and non-commercial, as it was produced as part of a PhD research project and offers a corrective feminist perspective to the misogynistic imagery found in many music videos today. In addition, the footage used (Sinead O’Connor’s ‘Nothing Compares to You’ and Miley Cyrus’ ‘Wrecking Ball’) and the copyright holders of this content are acknowledged in the description text. Furthermore, both the audio and the video tracks consist of samples, which have been significantly altered and transformed to produce a new mashup song and video, which is very different when compared with any of the original material in isolation. Please release the block on my video, as I feel very strongly that its important, positive message for young women needs to be heard and seen. Thank you. Under Section 107 of the US Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. This remix video is a critical and transformative work that constitutes a Fair Use in accordance with Title 17 U.S.C. Section 107.

Miley / O’Connor Mashup – Nothing Compares to a Wrecking Ball

Miley Cyrus vs Sinead O’Connor Mashup / Remix. The vocal track from Miley Cyrus’ ‘Wrecking Ball’ remixed with the music from Sinead O’Connor’s ‘Nothing Compares To You.’ Both tracks were resequenced and changed around quite a bit from the originals.

Miley Cyrus recently said that she took inspiration from Sinead O’Connor for her image and her music and then Sinead wrote a letter telling Miley to have more respect for herself and to be more mindful of the influence she has on her younger fans.

The two songs are the same tempo (60bpm) and the same relative key in major and minor (F/Dm), so they fit together pretty well. The music video is made up of clips from the official music videos for both songs as well as footage of Miley Cyrus from when she was a baby to the present day.

FAIR USE

Copyright Disclaimer
Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. This remix video is a critical and transformative work that constitutes a Fair Use in accordance with Title 17 U.S.C. Section 107.

Rootstrikers Campus Remix Challenge

[From Rootstrikers.org – http://www.rootstrikers.org/campus_remix_challenge ]

In 2010, the same year as the infamous Supreme Court decision in Citizens United v. FEC,62% of young people polled by Rock the Vote said “I probably won’t vote this November because no matter who wins, corporate interests will still have too much power and prevent real change.” Coincidence? We didn’t think so.

JpegSmallMap.jpgThat’s why in the Fall of 2012 Rootstrikers launched a national campus team to help empower students to take a stand against corruption. Leaders from ten universities formed Rootstrikers chapters and immediately got to work tacking up flyers, giving speeches, and hosting events. What they’ve done in just two semesters has been amazing.

The University of Texas gathered on the steps of the state capitol, rallying to amend their campaign finance system. Campus leaders across the nation got their representatives “On the Record” about the corrupting influence of money in politics. And most recently, students at UC Berkeley and San Francisco State University helped make Rootstrikers’ 2013 conference a huge success.

JpegTGraphLessig.jpgThe campus team has proven that it’s ready to raise the stakes, and we’re ready to help make that possible. So to end an amazing year, a challenge:

Lawrence Lessig recently asked Rootstrikers to remix his TED talk We the People, and the Republic we must reclaim, and to help spread awareness about the corruption that cripples our government. We know that many of you are already working on remixes, and so to encourage you to think big, we’ve decided to turn the task into a competition for the best, most inventive way of describing how this problem affects your generation.

JpegSmallBullHorn.jpgBetween now and July 22nd, submit a video/audio/slide or any kind of creative presentation about the corrupting influence of money in politics to [email protected]  and we’ll pick three creators to reward with endless admiration and some tuition assistance:

  • First place: $2500 + the opportunity to present alongside Lawrence Lessig at your school.
  • Second place: $1500
  • Third place: $500

The possibilities for remixing Lessig are endless, and the only rules are:

  • You must use Lessig’s TED talk.
  • Your submission must contain audio or visual components.
  • You must license your work CC-BY-SA so others might remix it and spread the message further.

Sign up on our website and we’ll mail you a thumb drive with the source files you’ll need to get started. Then just submit your remix to [email protected] by midnight on July 22nd — no late submissions, no excuses.

Good luck!

Please Contribute to Survey for Remix Studies Reader

Dear community,

We are currently conducting a survey for a Remix Studies book project and we would really appreciate your help. The survey is quick and easy and should take no more than a few minutes of your time. Your assistance will be invaluable in the development of the book, which we hope will be of great use to students, teachers, researchers and practitioners of remix alike.

If possible, we would also be very grateful if you could help us to distribute the survey to anyone within your networks who has an interest in remix.

https://www.surveymonkey.com/s/C9MGRVV

Thank you very much for your time and effort – we value your input.

Kind regards,

Eduardo, Owen and xtine

Eduardo Navas
http://remixtheory.net
http://navasse.net

Owen Gallagher
http://www.remixstudies.org
http://www.totalrecut.com 
http://www.criticalremix.com

xtine burrough
http://www.missconceptions.net