{"id":53,"date":"2011-12-13T16:58:06","date_gmt":"2011-12-13T16:58:06","guid":{"rendered":"http:\/\/www.criticalremix.com\/home\/?p=53"},"modified":"2011-12-13T16:58:06","modified_gmt":"2011-12-13T16:58:06","slug":"semiotics","status":"publish","type":"post","link":"https:\/\/www.criticalremix.com\/home\/2011\/12\/13\/semiotics\/","title":{"rendered":"Semiotics"},"content":{"rendered":"<p>Semiotics \u2013 a semiotic approach to decoding artworks. 20th\/21st century Found Footage Filmmaking from America? Global. Soviet re-editors earliest example. Include vidding. Emotion in found footage? A man writing about vidding\u2026Kristina Busse. TransformativeWorks.org. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Semiotics \u2013 a semiotic approach to decoding artworks. 20th\/21st century Found Footage Filmmaking from America? Global. Soviet re-editors earliest example. Include vidding. Emotion in found footage? A man writing about vidding\u2026Kristina Busse. TransformativeWorks.org.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[44],"class_list":["post-53","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-semiotics"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/posts\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/comments?post=53"}],"version-history":[{"count":1,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/posts\/53\/revisions"}],"predecessor-version":[{"id":54,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/posts\/53\/revisions\/54"}],"wp:attachment":[{"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/media?parent=53"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/categories?post=53"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/tags?post=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}