{"id":326,"date":"2021-03-23T20:32:56","date_gmt":"2021-03-23T20:32:56","guid":{"rendered":"http:\/\/www.criticalremix.com\/home\/?p=326"},"modified":"2021-03-23T20:40:37","modified_gmt":"2021-03-23T20:40:37","slug":"published-the-routledge-handbook-of-remix-studies-and-digital-humanities-routledge-2021","status":"publish","type":"post","link":"https:\/\/www.criticalremix.com\/home\/2021\/03\/23\/published-the-routledge-handbook-of-remix-studies-and-digital-humanities-routledge-2021\/","title":{"rendered":"Published: The Routledge Handbook of Remix Studies and Digital Humanities"},"content":{"rendered":"

Three years in the making, I’m very excited to announce that the third book in our trilogy on remix studies has finally been published today! Thanks to Eduardo Navas<\/a>, xtine burrough<\/a>, and all of our contributors<\/a> for helping to bring this project to life. \ud83e\udd42\ud83d\udcda
\n<\/span><\/p>\n

\"The<\/a><\/p>\n

\u00a0PDF Intro Preview<\/strong><\/a><\/span><\/p>\n

The Routledge Handbook of Remix Studies and Digital Humanities<\/strong> (2021),
\nEdited by Eduardo Navas, Owen Gallagher, and xtine burrough<\/span><\/p>\n

https:\/\/www.amazon.com\/Routledge-Handbook-Studies-Digital-Humanities-dp-0367361426\/dp\/0367361426\/<\/a><\/p>\n

Book Description:<\/strong> In this comprehensive and highly interdisciplinary handbook, contributors reflect on remix across the broad spectrum of media and culture, with each chapter offering in-depth reflections on the relationship between remix studies and the digital humanities.<\/p>\n

The anthology is organized into sections that explore remix studies and digital humanities in relation to topics such as archives, artificial intelligence, cinema, epistemology, gaming, generative art, hacking, pedagogy, sound, and VR, among other subjects of study. Selected chapters focus on practice-based projects produced by artists, designers, remix studies scholars, and digital humanists. With this mix of practical and theoretical chapters, editors Navas, Gallagher, and burrough offer a tapestry of critical reflection on the contemporary cultural and political implications of remix studies and the digital humanities, functioning as an ideal reference manual to these evolving areas of study across the arts, humanities, and social sciences.<\/p>\n

This book will be of particular interest to students and scholars of digital humanities, remix studies, media arts, information studies, interactive arts and technology, and digital media studies.\u00a0#remix<\/a>\u00a0#remixes<\/a>\u00a0#remixstudies<\/a>\u00a0#digitalhumanities<\/a>\u00a0#mediastudies<\/a>\u00a0#routledge<\/a><\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Three years in the making, I’m very excited to announce that the third book in our trilogy on remix studies has finally been published today! Thanks to Eduardo Navas, xtine burrough, and all of our contributors for helping to bring … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[135,83,134,136,127,143],"tags":[178,172,176,173,4,144,174,175,177],"class_list":["post-326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-copyright","category-critical-remix-videos","category-ideology-2","category-politics","category-remix-studies","category-remix-videos","tag-computergames","tag-digitalhumanities","tag-gamestudies","tag-mediastudies","tag-remix","tag-remixstudies","tag-routledge","tag-taylorandfrancis","tag-videogames"],"jetpack_featured_media_url":"https:\/\/www.criticalremix.com\/home\/wp-content\/uploads\/2021\/03\/Routledge-Handbook.jpeg","_links":{"self":[{"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/posts\/326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/comments?post=326"}],"version-history":[{"count":8,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/posts\/326\/revisions"}],"predecessor-version":[{"id":335,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/posts\/326\/revisions\/335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/media\/327"}],"wp:attachment":[{"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/media?parent=326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/categories?post=326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.criticalremix.com\/home\/wp-json\/wp\/v2\/tags?post=326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}